Jan Weenix

Dutch Baroque Era Painter , Amsterdam 1640/42-1719 Painter and draughtsman, son of (1) Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague.


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Jan Weenix Een aap en een hond bij dood wild oil


Een aap en een hond bij dood wild
Painting ID::  69955
Een aap en een hond bij dood wild
Medium Oil on canvas Dimensions 0172 ?? 160 cm
Medium_Oil_on_canvas _ Dimensions_0172_??_160_cm
   
   
     

Jan Weenix After the Hunt oil


After the Hunt
Painting ID::  70218
After the Hunt
Medium Oil on wood Dimensions 44,7 X 34,5 cm
Medium_Oil_on_wood _ Dimensions_44,7_X_34,5_cm
   
   
     

Jan Weenix Agneta Block and her family at their summer home Vijverhof with her cultivated pineapple oil


Agneta Block and her family at their summer home Vijverhof with her cultivated pineapple
Painting ID::  90963
Agneta Block and her family at their summer home Vijverhof with her cultivated pineapple
1694 Medium oil on canvas cjr
1694 _ Medium_oil_on_canvas _ cjr
   
   
     

Jan Weenix An Italian Seaport oil


An Italian Seaport
Painting ID::  95484
An Italian Seaport
circa 1666(1666) Medium oil on canvas cyf
circa_1666(1666)_ Medium_oil_on_canvas_ cyf
   
   
     

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     Jan Weenix
     Dutch Baroque Era Painter , Amsterdam 1640/42-1719 Painter and draughtsman, son of (1) Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague.

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